Support // Lorenzo Quinn


The instillation of the monumental sculpture for the 2017 Venice Biennale has recently been finished. The piece consists of two giant hands stretched out from the water in order to support the hotel. It’s a visual statement against climate change and the rising sea levels that effect the city. It has influenced me to revisit making 3D forms of my hands after i’ve finished my degree, using a material other than plaster and clay. I would like to explore the scale of my work like i have done with the prints. I’m disappointed that i will not be attending this years Biennale because i’d love to see this piece of work in person.


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A nocturnal twenty-something artist

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